Sandro Botticelli's Oil Paintings
	Sandro Botticelli Museum c. 1445 – May 17, 1510. Italian painter.
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Here are all the paintings of Boris Kustodiev 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
49129		A Bolshevik	mk193 1920 Oil on canvas 101x141cm
59511		Blue House	Blue House (1920)
30906		Bolshevik	mk68 Oil on canvas Moscow, Tretyakov State Gallery 1920 Russia
59512		Bolshevik	Bolshevik (1920).
35180		Carnival	mk100 1916 Oil on canvas 61x123cm
59510		Country	Country (1919)
59503		Easter Greetings	Easter Greetings (1912).
59497		Fair	Fair (1910).
2282		Fiodor Shaliapin	1922 The Russian Museum, St.Petersburg
59495		Irina	Irina (daughter) (1906).
59513		Isaak Brodsky	Isaak Brodsky (1920).
2285		Julia Kustodieva	1903 The Russian Museum, St.Petersburg
59517		Kapitsa and Semenov	Kapitsa and Semenov (1921).
59507		Maslenitsa Tuesday	Maslenitsa Tuesday (1916).
59519		Maximilian Voloshin	Maximilian Voloshin (1924).
2281		Merchant Chest Maker	1923 The Artistic Museum, Nizhny Novgorod
59508		Mir Iskusstva Members	Mir Iskusstva Members (1916?C1920).
2284		Nikolai Roerich	1913 The Russian Museum, St.Petersburg
59492		Portrait of Elizabeth Grigorievna Pushkina	Portrait of Elizabeth Grigorievna Pushkina (Early 1900s).
49104		Portrait of Fyodor Chaliapin	mk193 1921 Oil on canvas 215x172cm
59494		Portrait of Julia Kustodieva	Portrait of Julia Kustodieva (wife) (1903).
86731		Portrait of Julia Kustodieva	1903(1903) Medium Oil on canvas Dimensions 139 x 133.5 cm (54.7 x 52.6 in) cyf
96710		Portrait of president of the Russian Historian Society	oil on canvas mounted on panel Dimensions 63 X 51.3 cm cyf
59505		Portrait of Renee Notgaft	Portrait of Renee Notgaft (1914).
89883		Portrait of the Governor-General of Finland and member of State Council Nikolai Ivanovich Bobrikov. Study for the picture Formal Session of the State	1902-1903 Medium oil on canvas Dimensions 60.5 x 43 cm (23.8 x 16.9 in) cjr
59493		Portrait of Vasiliy Mate	Portrait of Vasiliy Mate (1902).
59496		Promenade Along Volga River	Promenade Along Volga River (1909).
2283		Renee Notgaft	1914 The Russian Museum, St.Petersburg
86090		Russian Historian Society	1902-1903 Medium Oil on canvas mounted on panel Dimensions 63 x 51.3 cm (24.8 x 20.2 in) cyf
59520		Russian Venus	Russian Venus (1926).
27119		Self-Portrait	mk52 1912 Tempera on board 100x85cm Uffizi,Florence
59515		Shalyapin	Shalyapin (1921).
59509		Stepan Razin	Stepan Razin (1918).
96585		The Artist's Daughter, Irina	1906(1906) Medium oil cjr
93809		The Bolshevik	1920(1920) Medium oil on canvas Dimensions 101 x 141 cm (39.8 x 55.5 in) cjr
35087		The Consecration of the Waters at Epiphany	mk100 1921 Oil on canvas 89x74cm
59491		The Merchant Wife	The Merchant's Wife, (1918
96575		The Merchants Wife	oil on canvas cyf
59506		Tsar Nicholas II	Tsar Nicholas II (1915)
59518		Yevgeny Zamyatin	Yevgeny Zamyatin (1923).

Boris Kustodiev

1878-1927 Russian Boris Kustodiev Galleries The Russian Revolution of 1905, which shook the foundations of society, evoked a vivid response in the artist's soul. He contributed to the satirical journals Zhupel (Bugbear) and Adskaya Pochta (Hell??s Mail). At that time, he first met the artists of Mir Iskusstva (World of Art), a group of innovative Russian artists. He joined their association in 1910 and subsequently took part in all their exhibitions. In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical Russian literature, including Nikolai Gogol's Dead Souls, The Carriage, and The Overcoat; Mikhail Lermontov's The Lay of Tsar Ivan Vasilyevich, His Young Oprichnik and the Stouthearted Merchant Kalashnikov; and Leo Tolstoy's How the Devil Stole the Peasants Hunk of Bread and The Candle. In 1909, he was elected into Imperial Academy of Arts. He continued to work intensively, but a grave illness??tuberculosis of the spine??required urgent attention. On the advice of his doctors he went to Switzerland, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted The Merchant's Wife, which became the most famous of his paintings. The Merchant's Wife, (1918).In 1916, he became paraplegic. "Now my whole world is my room", he wrote. His ability to remain joyful and lively despite his paralysis amazed others. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life. His Pancake Tuesday/Maslenitsa (1916) and Fontanka (1916) are all painted from his memories. He meticulously restores his own childhood in the busy city on the Volga banks. In the first years after the Russian Revolution of 1917 the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations. His covers for the journals The Red Cornfield and Red Panorama attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in lithography, illustrating works by Nekrasov. His illustrations for Leskov's stories The Darner and Lady Macbeth of the Mtsensk District were landmarks in the history of Russian book designing, so well did they correspond to the literary images.

All the Sandro Botticelli's Oil Paintings

Supported by oil paintings and picture frames